Parts of a Book How to Know if You Got Them Right

Parts of a Book How to Know if You Got Them Right Parts of a Book How to Know if You Got Them Right Putting together a book willy nilly wont get you the book sales youre looking for.You know what you want to write aboutWhat you dont know is which parts of a book are actually necessary in your book.And let me tell you, getting this wrong can make you look like a real amateur instead of a credible professional- which is what you actually want.Right?Knowing which parts of a book to include in yours and which dont make any sense starts with knowing what they are to begin with.These are the parts of a book well cover for you:Title pageCopyrightTable of contentsDedicationForewordPrologueEpilogueEpigraphIntroductionInciting incidentSections of a bookAct structureFirst slapSecond slapClimaxAcknowledgementsAuthor biographyComing soon / Read MoreBack cover or synopsis of a bookWhat are the parts of a book?Parts of a book make up the entirety of the book, including the title, introduction, body, conclusion, and back cover.In order to write a book book in full, you need to have all the moving parts to make it not only good but also effective.Without essential pieces, your book will appear unprofessional and worse: youll lose the credibility and authority writing a book is so useful for.NOTE: We cover everything in this blog post and much more about the writing, marketing, and publishing process in our VIP Self-Publishing Program. Learn more about it hereParts of a Book You Need for SuccessIts not enough to just write and self-publish a book by throwing it up on Amazon or any other publishing site.You have to get the parts of your book right if you want it to sell more, get those 5-star reviews, and place you as an authority figure in your field. Heres how to do that. #1 Title PageFor obvious reasons, your title is importantBut thats not all thats important to your book. The title page is also necessary and without it, your book will be missing something crucial.Your title page serves as a means of not only declaring your title clearly, but also ensuring your name, subti tle, endorsement, and any other crucial information is present for your readers to view clearly.Heres an example of a great title page and what you can use to replicate your own:As you can see, the title page is really just the main title, any subtitle you may have, and the authors name as the bottom.Other than this being an industry standard for books, it helps to keep everything clear without the obstruction of any title images.#2 CopyrightYour book needs to be copyrighted. Unless youre okay with others stealing its content and reaping the rewards for themselves, that is.We have a great guide on what it takes to copyright a book right here for you to view, but here are some of the basics.Technically a book is copyrighted as you write it. But if you want it to be fully legal, you do have to pay to have it copyrighted.Your copyright content will change depending on the type of book youre writing.There are certain copyrights you cannot have exclusive rights to depending on what you cover in your book, which is usually impacted the most by what you write in a memoir and its legalityHeres an example of what a copyright section of a book may look like:#3 Table of ContentsThere are a lot of reasons to have a table of contents in your book. For one, it helps readers know where to find the information theyre really looking for.Secondly, this is highly useful in kindle or ebook versions of your book in order to help readers click and navigate without having to actually arrow over through the pages in order to get there.The happier the reader, the better the reviews they leave.What is a table of contents?A table of contents is a list of a books chapters or sections with the heading name and often the page number if there are no links inside.Heres an example of this part of a book:#4 DedicationThis is the part of a book that most of us write long before the actual book is finishedwe just tend to jot it down in our minds instead of on paper.Your book dedication is lik e your acceptance speech when given an award. Except your book is the award and therefore, you get to write this speech and place it where everyone can read it before even starting the book.This dedicated often comes after the title page and before the table of contents. Its a short few sentences thanking whomever helped you get to the point of writing the book or just people you want to acknowledge as thanks.This is an example what a dedication of your book may look like from our own Student Success Strategist Pedro Mattoss debut novel I Wish Everyone Was an Immigrant:#5 ForewordIf youre looking to increase your credibility, get a book endorsement by someone who knows you and your story well, then a foreword is what you want.What is a foreword?A foreword is an introduction to a book written by someone other than the author that lends credibility to the authors status to write the book.Think of a foreword as a sort of endorsement of the book. The person who writes it is usually an author themselves, though they can also just be a person of authority in the same or similar field.Above is an example of a foreword from The Go-Giver by Bob Burg.Forewords typically come after the table of contents and before the introduction or first chapter of the book.#6 PrologueFiction is where prologues live. Oftentimes, stories may need additional context before the actual story begins in order for the reader to make sense of it and elements within the book itself.What is a prologue?A prologue is a short chapter that usually takes place before the main story begins as a means of granting understanding to the reader. Its also used to increase intrigue and captivate readers.Not all books require prologues and in fact, if you can write your novel without it, thats actually preferred as many readers skip the prologue altogether.Below is an example of a prologue from the very popular Game of Thrones by George R.R. Martin.#7 EpilogueNot all book series get happily-ever-after endi ngs. When your book series ends but you want a way to let the readers know whats in store for the characters futures, an epilogue is a strong way to do that.What is an epilogue?An epilogue is a short chapter that comes after the last chapter of a book as a way to tie the story together in a conclusion.Essentially, the epilogue is the answer to the question, what happens to them next? This serves as a more satisfying way to let readers know that characters live happily ever after.Sometimes the ending of the story isnt satisfying enough for readers.That part of their story may end, but if your readers want a more in-depth look at their life after the story, thats when an epilogue would come into play to tie everything together.#8 EpigraphEpigraphs arent necessarily important, nor are they required. Oftentimes, these short snippets serve as a way to let readers know what lesson or subject will be covered in the chapter.What is an epigraph?An epigraph is a short question, quote, or eve n a poem at the beginning of a chapter meant to indicate the chapters theme or focus. This often ties the current work to predecessors with similar ideas and learnings.For example, below is an epigraph from The 7 Habits of Highly Effective People by Stephen R. Covey.#9 Book introductionMost nonfiction books include an introduction to the book- a chapter before your first chapter as a means to introduce yourself and your credibility or author on the subject matter to your readers.Your book introduction is extremely important for showing your readers why they should read the book and how youre the person to help them with whatever problem your book solves.One of the best ways to do this is to first establish the pain points your book helps to solve, and then make it clear how you, someone they dont know, can help with this issue.This usually involves some of your own backstory, but keep it specific to the problem at hand. Your readers dont need an entire rundown of your personal hist ory.#10 Inciting incidentIf youre writing fiction, you may have come across the term inciting incident before.What is an inciting incident?This is an early part of a book thats the point of no return for your characters. The inciting incident is what kicks your plot into full drive.Here are a couple examples of inciting incidents:Katniss volunteers to take her sisters place in The Hunger Games by Suzanne CollinsTobias enters the Tournament and gets accepted in The Saviors Champion by Jenna MoreciBella moves to Forks, where she meets Edward in biology class in Twilight by Stephanie MeyerBran gets pushed off the wall in Winterfell when he catches Jaime and Cersei Lannister together in Game of Thrones by George R.R. MartinThese are all points in the novel that the characters cannot come back from. In this instance, their lives are changed forever, which drive the plot forward.#11 Sections of a bookThis will mostly pertain to nonfiction authors, we well cover the fiction equivalent i n the next section.Some nonfiction books are written with different parts. These are usually separated into 3 parts that make up a greater whole in the book.For example, in the book Im currently writing, I break it up into 3 separate sections. Each part has its own focus and theme but they all work with one another to achieve a greater purpose.Heres an example of how the sections of my book work:Part 1 This part focuses on how your childhood impacts your adult behaviorsPart 2 This part aims to show readers how to move past their childhood and get control of their nowPart 3 This section moves beyond getting control and focuses on how readers can work toward building the future they both want and deserve despite their childhood traumasEach part of this book has a main focus and theme but when utilized together, they form a solution to a larger problem.#12 Act structureIn fiction, instead of creating separate sections like in the example above, you may split your work into differen t acts.Most commonly used is the three act structure.Although this isnt required of novels, its still quite popular to write a book with this structure, as it forms a cohesive order of events thats proven to be intriguing to readers.A popular example of this 3 act structure is in Sabaa Tahirs An Ember in the Ashes, featured below.#13 First slapIf youre familiar with our lingo around how to write a novel, or youre a student already, you may have heard of the first and second slap.These are pivotal points in your characters journey that further the plot and often make their efforts more difficult.The first slap is often the biggest setback for your character following the inciting incident.Here are some examples of what a first slap is in popular stories:Katniss entering the hunger games after trials and testsBella finding out Edward is a vampire in TwilightTobiass first challenge in the tournament in The Saviors Champion by Jenna MoreciAll of these have one thing in common: they mak e the lives harder for the characters.#14 Second slapLike the first slap, the second slap is a pivotal point in the novel where your character faces a downfall, most often after having a win or two under their belt since the first slap.The second slap needs to be placed shortly after your readers have gained hope in your characters ability to succeed in whatever their goal is.The idea behind this is to hook your readers again and let them know that it is not all smooth sailing for your characters throughout the rest of the book.Oftentimes, the second slap is worse than the first, where 90% of your characters hope in succeeding is lost and therefore, your readers will lose hope too. This makes them root for your character even more, increasing the amount they care for your character.#15 ClimaxWe all know the climax of the book is the most important part. Its where your character faces the biggest obstacle in achieving their goal in the book.Here are a few examples of climaxes in po pular books:Whenever Harry Potter comes face-to-face with Voldemort in the booksKatniss and Peeta are up against one more foe before winning the games in the first bookBella gets taken by James and Edward has to fight to save herThe climax is the last challenge before the ending, or resolution, of your book. It is the point of the highest tension and its where your character faces the worst odds- worse than the first and second slaps.#16 AcknowledgementsWe all have people in our lives to acknowledge for our success in writing a book.Much like the dedication, the acknowledgements are meant to recognize impactful people in our lives. These, unlike the dedication, typically come at the end of the book and can be written in longer, paragraph form as a pose to a short sentence for each.#17 Author bioNot all books contain an author bio in it, specifically fiction (unless its a hardback copy).Nonfiction, however, is a type where the author bio can be at the bottom of the back page of you r book, beneath the back cover synopsis.Heres an example of an author bio for Omer Dylan Reddens Life Doc.Your author bio doesnt have to be very long. Keep it short and simple while still showing your readers your credibility in what your book covers.#18 Coming soon / Read moreThis part of a book might not matter to you unless you have a book series or multiple books to your name.The coming soon and read more pages are used to help your readers purchase and read more of your books.This section of a book often comes at the very end, after your epilogue and acknowledgments. Its a single page with the cover images of your other book/s, their titles, and links for your ebook copy.This not only makes it easier for your readers to buy the next book, but its also a great way to sell more books overall.#19 Back cover or synopsis of a bookI saved the best (and most important) for last. The back cover, also known as the synopsis of your book, is by far the most critical for getting people t o buy.Without a good synopsis to hook readers and buy them into your book, you wont sell.These are crucial for both fiction and nonfiction.With your fiction synopsis, you want to create intrigue and show your readers that theyll get a good story. The trick is doing this with a few short paragraphs.Heres an example of a fiction synopsis that works, from Jenna Morecis The Saviors Champion: Heres a nonfiction example of the back cover from Lisa Zelenaks Find Your Thing:As you can see, these look very different, though they serve the same purpose. The back of your book is the first thing someone reads in order to decide if they want to buy your book.Make it concise, convincing, and show them the value theyll get from reading it- be that an entertaining read or a solution to their problem.Start Your Book TODAYIf you want to start your book and make it stand out against the millions already out there, we have what you needA free training to help you get started

Police kill dog Essay Example | Topics and Well Written Essays - 2000 words

Police kill dog - Essay Example In addition, there are also various consequences as well issues that accompany the killings. Finally, there are various steps that may be taken to remedy the situation which may be at times encumbered by various complications. Police presence is inevitable in our lives because of increased crimes and thus lack of training on how they should handle pets is quite a concern. It is vital to acknowledge that the police are at the epitome of peace keeping hence we cannot survive without their presence. As Aveni articulates, â€Å"the wars on drugs, war on terrorism have stepped up their presence in our lives as well†¦ and then the police officers end up encountering family pets (Webner & Sostek).† However, as regards to exercise of their duty, the killing of dogs has made them very unpopular with the citizens. This raises the query of just how trained are these officers with regards to what they should do as well as what they should not in the exercise of their duty. Most police officers do not have sufficient training on how to handle pets. This is the major reason granted as to why there has been recurrent pet killings emanating from the police. As Thomas Aveni puts it â€Å"Most police departmen ts dont train officers to deal with pet dogs† it is clear that this really counts with relation to the killings (Webner & Sostek). In fact, it is quite clear that in most police departments, the issue of training the police so as to be able to handle dogs is rarely talked about (Webner & Sostek). Moreover, most of the police departments always offer training on ways one may apply force when dealing with people but majorly fail to offer any training when it comes to handling pets. It is for this reason that most of these officers do not know how to handle aggressive dogs that try distracting them when in duty and thus end up killing them (Somin). On the contrary, officers who have

Medical ethics Essay Example | Topics and Well Written Essays - 1500 words

Medical ethics - Essay Example important form of commission parents) may also be the sufferers of exploitation (Laura M. Purdy). Furthermore, it is argued that there are high-quality reasons for considering that commercial surrogacy is frequently exploitative. Though, even if we believe this, the exploitation quarrel for keeping out (or if not legislatively disappointing) commercial surrogacy leftovers quite weak. One important cause for this is that ban may well backfire and lead to possible surrogates having to do additional things that are more exploitative and/or additional damaging than paid surrogacy. No doubt, it is finished so that those who oppose exploitation be supposed to (rather than attempting to discontinue exacting practices similar to commercial surrogacy) focus on: (a) humanizing the conditions beneath which paid surrogates labor; and (b) changing the backdrop conditions (in exacting, the uneven distribution of power and wealth) which make exploitative relations (Laura M. Purdy). The term autonomy is resultant from the Greek autos, which means self and from the term nomads denotation rule, governance or law. To be autonomous is to be self-determined and to be in control of ones life. In regards to health check care, being autonomous refers to one making a decision concerning personal medical care issues for his or her self. Autonomy focuses on respecting the ability of a person to make health care decisions on their own. It is much more multifaceted than considering who is in charge or who knows best the real matter is which of the basic ethical principals hold advantage in any given situation. "medical paternalism" leads to the burden of coercive life-prolonging measures in a manner insensible to the patient; and it put off dying patients and their families from lasting the touching and financial hardships caused by the continuance of desperate medical and technical intervention; (Dialogue.

Homonyms and antonyms Essay Example for Free

Homonyms and antonyms Essay â€Å"Words identical in form but quite different in their meaning and distribution are called homonyms† [1, 74]. â€Å"Homonym is a word that is spelt like another word (or pronounced like it) but which has a different meaning† [2, 464]. The term is derided from Greek â€Å"homonymous† (homos – â€Å"the same† and onoma – â€Å"name†) and thus expresses very well the sameness of name combined with the difference in meaning The traditional formal classification of homonyms is as follows: 1. Homonyms proper which are identical both in sound and spelling, e. g. ball (Ð ¼Ã¢â‚¬â„¢Ã' Ã'‡) ball (Ð ±Ã °Ã »), hail (Ð ³Ã'€Ð °Ã ´) – hail (Ð ¾Ã ºÃ »Ã ¸Ã ºÃ °Ã'‚Ð ¸). 2. Partial homonyms are subdivided into: 1) Homographs which are identical in spelling but different in sound, e.g. bow/bou/(Ð »Ã'Æ'Ð º)-bow/bau/(Ð ½Ã'â€"Ã'  Ð ºÃ ¾Ã'€Ð °Ã ±Ã »Ã' ), lead /led/ (Ã' Ã ²Ã ¸Ã ½Ã µÃ'†Ã'Å') – lead/li:d/ (Ð ²Ã µÃ' Ã'‚Ð ¸). 2) Homophones which are identical in sound but different in spelling, e.g. key (Ð ºÃ »Ã'ŽÃ'‡) – quay (Ð ½Ã °Ã ±Ã µÃ'€Ð µÃ ¶Ã ½Ã °), sow (Ã' Ã'â€"Ã' Ã'‚Ð ¸) – sew (Ã'ˆÐ ¸Ã'‚Ð ¸) [1, 74]. Homonyms may be classified by the type of their meaning. In this case one should distinguish between: 1. Lexical homonyms which belong to the same part of speech, e.g. plane n. (Ð »Ã'â€"Ã'‚Ð °Ã º) – plain n. (Ã'€Ã'â€"Ð ²Ã ½Ã ¸Ã ½Ã °), light a. (Ã' Ã ²Ã'â€"Ã'‚Ð »Ã ¸Ã ¹) – light a. (Ð »Ã µÃ ³Ã ºÃ ¸Ã ¹). 2. Grammatical homonyms which belong to different parts of speech, e.g. row v. (Ð ³Ã'€Ð µÃ ±Ã'‚Ð ¸) – row n.(Ã'€Ã' Ã ´), weather n. (Ð ¿Ã ¾Ã ³Ã ¾Ã ´Ã °) – whe ther conj. (Ã'‡Ð ¸). 3. Homoforms which are identical only in some paradigm constituents, e.g. scent n. – sent (Past Ind. and Past Part. of send), seize v. – sees (Pr.Ind., 3d p.sing. of see) [1, 74]. Professor A.I. Smirnitsky classified homonyms into two large classes: 1)Full homonyms are words, which represent the same category of parts of speech and have the same paradigm, e.g. wren n. (a member of the Women’s Royal Naval Service) – wren n. (a bird). 2)Partial homonyms are subdivided into three subgroups: a) Simple lexico-grammatical partial homonyms are words, which belong to the same category of parts of speech. Their paradigms have only one identical form, but it is never the same form, e.g. (to) found v. found v. (past indef., past part. of to find), (to) lay .v lay .v (past indef. of to lie). b) Complex lexico-grammatical partial homonyms are words of different categories of parts of speech, which have identical form in their paradigms, e.g. rose n. rose v. (past indef. of to rise), maid n made v (past indef., past part. of to make). c) Partial lexical homonyms are words of the same category of parts of speech which are identical only in their correspondi ng forms, e.g. to lie (lay, lain) v. to lie (lied, lied) v., to hang (hung, hung) v. to hang (hanged, hanged) v [1,74]. Examples: 1) â€Å"It’s made out of wood. The skaters would normally perform their stunts and tricks there,† May explains (5, 12). 2) â€Å"A half – pipe can be dangerous. Skateboarders wear protective gear,† May points out. â€Å"Staying safe is important,† Buzz agrees. â€Å"Now where is my notebook?†(5, 13). 3) â€Å"Good luck!† Buzz tells May. â€Å"Go take the lead in this competition!† â€Å"I feel nervous†, May says. â€Å"My legs feel as if they are made of lead† (5, 24). 4) â€Å"May I sail with you in May?† (9, 31). 5) Mouse: Deer, I’m very glad to have such dear friends (6, 12). 6) But he’s unable to see that Oscar prefer his presence to his presents once in a while†¦(11). 7) â€Å"It’s my birthday present to him.† â€Å"I can fill in,† Ollie says. â€Å"I’d be happy to present the Big Air Jam, with Buzz† (5, 18). 8) â€Å"Dad, buy me a ball!† â€Å"Bye, Osc, I’m in a hurry,† answered Mark and hung on (11, 135). 9) â€Å"What a nice scent, Nicky! Hilary Duff â€Å"With love?† asked Ally. â€Å"Ughmn. My father sent it to me last Christmas,† said Nicky climbing the ladder (11, 66). (10)â€Å"I’d like to go to the sea. I think it’s amazing to see the autumn sunset,† said Carolyn a bit enigmatically (12, 45). Antonyms â€Å"Words that have directly opposite meanings are called antonyms† [1, 73]. â€Å"Antonym is a word with a meaning that is opposite to the meaning of another word† [3, 58]. Antonyms fall into two main groups: 1. Root antonyms (those which are different root), e.g. long – short, up – down, to start – to finish, etc. 2. Affixal antonyms (in which special affixes or their absence express semantic opposition), e.g. hopeful – hopeless, happy – unhappy, appear – disappear, etc. [1, 73]. Polysemantic words usually have antonyms for each of their lexico-semantic variants: a dull knife – a sharp knife, a dull boy – a bright boy, etc. Examples: 1) â€Å"Flash Wiggins makes scoring look easy,† Harold tells Cassy. â€Å"But beating the goalie is difficult† (8, 210). 2) â€Å"Krupp and Smythe worked together to even the score,† Harold adds. â€Å"Nothing can tear them apart!† (8, 77). 3) â€Å"You can help me make this rough ice smooth again!† says the driver (8, 93). 4) Father Bear â€Å"I’m Father Bear, and I sit in this great big chair.† Baby Bear â€Å"I’m Baby Bear and I sit in that little chair† (10, 23). 5) â€Å"Ah, but sometimes it is more courageous to do the right thing, than rebel and do the wrong thing, you know,† she said softly, meeting my eye (11, 119). 6) He blushed and suddenly paled from nerves at the situation he was in (11, 25). 7) â€Å"Oh, no, Nicky!! For you it’s hard, but for me†¦it’s very easy. I have known him for ages† (11, 81). 8) â€Å"And then we couldn’t sleep in the spacious room after being promised. But I suppose, it will be better to sleep in narrow rooms† (4, 211). 9) Anne had a young, brighter face and more delicate features than the others; Marilla saw at her and felt herself old enough to change her life (4, 267). 10) â€Å"I can; and A-n-n looks dreadful, but A – n – n e looks so much more distinguished, but call me Cordelia! It looks wonderful!† (4, 43). List of literature 1. КÐ ²Ã µÃ' Ã µÃ »Ã µÃ ²Ã ¸Ã'‡ Д.І., Ð ¡Ã °Ã' Ã'â€"Ð ½Ã ° Ð’.П. ПÃ'€Ð °Ã ºÃ'‚Ð ¸Ã ºÃ'Æ'Ð ¼ Ð · Ð »Ã µÃ ºÃ' Ã ¸Ã ºÃ ¾Ã »Ã ¾Ã ³Ã'â€"Ã'â€" Ã' Ã'Æ'Ã'‡Ð °Ã' Ã ½Ã ¾Ã'â€" Ð °Ã ½Ã ³Ã »Ã'â€"Ð ¹Ã' Ã'Å'Ð ºÃ ¾Ã'â€" Ð ¼Ã ¾Ã ²Ã ¸: Ð Ã °Ã ²Ã'‡. ПÐ ¾Ã' Ã'â€"Ð ±Ã ½Ã ¸Ã º. – Ð’Ã'â€"Ð ½Ã ½Ã ¸Ã'†Ã' : Ð’Ð ¸Ã ´Ã °Ã ²Ã ½Ã ¸Ã'†Ã'‚Ð ²Ã ¾  «Ã Ã ¾Ã ²Ã ° Ð ºÃ ½Ã ¸Ã ³Ã °Ã‚ », 2001. – 117 Ã' . 2. Agnes M. Webster’s New World College Dictionary / M. Agnes, D. B.Guralnik. – Cleveland : IDG Books Worldwide Ink., 2000. – 1716 p. 3. Oxford Paperback Thesaurus / Maurice Waite. – Oxford – New York: Oxford University Press, 2006. – 930 p. 4. Л.ÐÅ". ÐÅ"Ð ¾Ã ½Ã'‚Ð ³Ã ¾Ã ¼Ã µÃ'€Ã'â€", Ð Ã ½Ã ½Ã ° Ð · ГÃ'€Ã'â€"Ð ½ ГÐ µÃ ¹Ã ±Ã »Ã ·: КÐ ½Ã ¸Ã ³Ã ° Ð ´Ã »Ã'  Ã'‡Ð ¸Ã'‚Ð °Ã ½Ã ½Ã'  Ð °Ã ½Ã ³ Ð »Ã'â€"Ð ¹Ã' Ã'Å'Ð ºÃ ¾Ã'Ž Ð ¼Ã ¾Ã ²Ã ¾Ã'Ž Ð ´Ã »Ã'  Ã' Ã'‚Ã'Æ'Ð ´Ã µÃ ½Ã'‚Ã'â€"Ð ² Ã'„Ð °Ã ºÃ'Æ'Ð »Ã'Å'Ã'‚Ð µÃ'‚Ã'â€"Ð ² Ã'â€"Ð ½Ã ¾Ã ·Ã µÃ ¼Ã ½Ã ¸Ã'… Ð ¼Ã ¾Ã ² Ã'â€" Ã'„Ã'â€"Ð »Ã ¾Ã »Ã ¾Ã ³Ã'â€"Ã'‡Ð ½Ã ¸Ã'… Ã'„Ð °Ã ºÃ'Æ'Ð »Ã'Å'Ã'‚Ð µÃ'‚Ã'â€"Ð ²/Ð ¾Ã ±Ã'€Ð ¾Ã ±Ã ºÃ ° Ã'‚Ð µÃ ºÃ' Ã'‚Ã'Æ', Ð ºÃ ¾Ã ¼Ã ¿Ã »Ã µÃ ºÃ'  Ð ²Ã ¿Ã'€Ð °Ã ², Ã'‚Ð µÃ' Ã'‚Ã'â€"Ð ² Ã'â€" Ð ·Ã °Ã ²Ã ´Ã °Ã ½Ã'Å', Ð ´Ã ¾Ã ²Ã'â€"Ð ´Ã ºÃ ¾Ã ²Ã'â€" Ð ¼Ã °Ã'‚Ð µÃ'€Ã'â€"Ð °Ã »Ã ¸ Ã'â€" Ã'„Ã'â€"Ð »Ã ¾Ã »Ã ¾Ã ³Ã'â€"Ã'‡Ð ½Ã ¸Ã ¹ Ð ºÃ ¾Ã ¼Ã µÃ ½Ã'‚Ð °Ã'€ Ð’.Ð’. ЄÐ ²Ã'‡Ð µÃ ½Ã ºÃ ¾, Ð ¡.І. Ð ¡Ã ¸Ã ´Ã ¾Ã'€Ð µÃ ½Ã ºÃ ¾. – Ð’Ã'â€"Ð ½Ã ½Ã ¸Ã'†Ã' : Ð Ã ¾Ã ²Ã ° КÐ ½Ã ¸Ã ³Ã °, 2008. – 440 Ã' . 5. Anna Prokos. Half-Pipe Homonyms / Prokos Anna. – Gareth Stevens, 2009. – 27 p. 6. Any Talbot. Deer and His De ar Friends: a tale from India / Talbot Any. – Benchmark Education Company, 2006. – 16 p. 7. Catherine Alliot. The Real Thing / Alliot Catherine. – Headline Book Publishing, 1996. – 471 p. 8. Claudia Pattison. Wow! / Pattison Claudia. – Pan Books, 2001. – 374 p. 9. Judy Goodard. Fun with homonyms / Goodard Judy. – Industry Way Westminster, 2005. – 43 p. 10. Karma Wilson. Bear stays up for Christmas / Wilson Karma. – Margaret K. McElderry Books, 2011. – 40 p. 11. Melissa Nathan. Learning Curve / Nathan Melissa. – Arrow Books, 2006. – 549 p. 12. Robert Waller. The Bridges of Madison County / Waller Robert. – Great Britain: Mandarin Paperbacks, 1995. – 171 p.

Stirrups :: Essays Papers

Stirrups The American Heritage Dictionary (3rd edition) defines a stirrup as "a loop or ring hung from either side of a horse's saddle to support the rider's foot" (The American Heritage Dictionary 799). Stirrups were invented by the Chinese in the year 477 A.D., and by the early Middle Ages the countries of Japan, India and Korea seem to have adopted its use. Stirrups became known in Persia, Byzantium and France in the 7th or early 8th century A.D.. Before stirrups were invented, riders had to use "a wooden stool or [they leaped] directly on to the horse's back" (Gans 1). Stirrups provided riders with much greater stability while on horseback especially during battles with lances and swords. A number of historians believed that the invention of the stirrups created the rise of feudalism. This belief caused what is called the great stirrup controversy still going on up to the present day. There has been several theories proposed pertaining to this controversy. For example, Heinrich Brunner in 1887 said that "feudalism was a wide effect of the development of mounted shock warfare by the Franks" (Gans 1). Brunner's stance of the controversy is that he believes that the rise of feudalism was not caused by the introduction of the stirrup but was caused by the Frankish army's envy of the fighting ability of the Moslem cavalry. As a result, the Frankish army became primarily a cavalry army. Before that time, the Frankish army used to fight on foot using a long handled ax called a francisca. Heinrich Brunner proposes that the Frankish army transformed itself from an infantry force to a mounted cavalry between 732 A.D. to 891 A.D. in an article he published called "Kni ghts' Service and the Origins of Feudalism" (Gans 1). The American Heritage Dictionary (3rd edition) defines cavalry as "troops trained to fight on horseback or in light armored vehicles" and feudalism as "a political and economic system of medieval Europe by which a landowner granted land to a vassal in exchange for homage and military service" (The American Heritage Dictionary 141, 312). Lynn White Jr. in 1962 said that both feudalism and cavalry was caused by the introduction of the stirrup. White agrees with Brunner's argument that "it was true that feudalism arose out of military necessity but that Brunner's details were wrong" (Gans 1).

The Lost Squatron Short Story

On Tuesday morning, December 5, 2006, Lieutenant Jimmy McGrath, a fresh faced 22 year old, Naval academy graduate, maneuvered his fighter jet across the tarmac at the US Naval Air Station Florida to the designated runway. Behind him, awaiting their tower clearance orders were the four other members of Jimmy's squadron. The men, boys really, some with peach fuzz beards, were training for assignment in Dubai, where they could fly sorties over Afghanistan and Iraq. All five pilots had been training here in Florida for several weeks, their high stress air combat training punctuated by wild Florida nights of heavy drinking and non-stop womanizing. The locals were used to it, having hosted these flyboys since Lauderdale nearly burst at the seams with newly drafted airmen, training in T-6s, and SNJ fighter trainers during World War 2. McGrath readied his jet at the flight line and after a final instrument check, increased throttle towards rotation speed, rumbling down the runway and easing back on the stick until the two ton plane defied gravity and began a steady ascent into the clouds hanging over the azure blue ocean. McGrath banked the plane right and felt momentary g-force pressure as he rolled away from the take off flight path to allow the next jet to leave the Earth.†Hee-haw† shrieked through Jimmy's mic, as his wingman, Bobby-Joe Nicholson followed McGrath into the heavens. Nicholson grew up in tobacco rich North Carolina back country, and his accent and redneck colloquialisms made training a lot easier for everybody. Nicholson was followed by Andy Grayson, from Wichita, then Angel Fernandez of the Bronx, and finally Ron Fontaine, a graduate of the Donnelly Housing Projects in Detroit. Fontaine was voted by his peers the last person anyone wanted to meet in a back alley for a fight. He was also the most accomplished â€Å"stick man† among them. Despite his â€Å"officer and gentleman status, Fontaine's 6 foot 2 inch muscular frame and tattooed biceps gave off a menacing appearance respected and feared by the other young pilots. The five jets screamed through the blue sky, each plane's engine creating enormous jet trails flowing behind, until they maneuvered into formation. The planes floated in the air next to each other as if dangling on elastic strings, their high-powered engines, flying in unison, making it appear as if they were not even moving. â€Å"OK guys,† McGrath bellowed,† lets head south over the ocean and then take a bearing of 26 degrees, 3 minutes north, then 80 degrees, 7 minutes west toward Hen and Chickens Shoals.† Although he did not mention it, the day's flight path would eventually take them into them into heart of the Devils Triangle. The Devils Triangle, or Bermuda Triangle as it was sometimes called, was a triangular patch of ocean in the Atlantic stretching from the Florida Keys south towards the Bermuda Islands. As every school kid knows, the Triangle's legend of mystery encompasses numerous claims of disappearing ships and aircraft. None of the men gave any serious thought to the Triangle legend, not many people did anymore since the quasi-pulp fiction exposes published in the 1970s tried to give pseudo-scientific credence to alleged supernatural happenings in that part of the Atlantic Ocean. However, they all knew about it. â€Å"Where to skip,?† crackled over the airwaves from Ron Fontaine's cockpit. â€Å"We're headed to the old junked freighter for some bombing and strafing practice,† responded Lieutenant McGrath. â€Å"And Ron,† said the flight leader, â€Å"this time wait for my signal before you starting locking in on the target.† â€Å"Shiiiit,† Fontaine screeched into his headset, and the other pilots chuckled at the exchange between the two men. â€Å"Hey Lieutenant, this time can we go in youngest pilot first,?† said Fernandez. â€Å"What is it with you guys from New Yawk,† drawled Nicholson, â€Å"y'all think you're born to tell the rest of us what to do.† â€Å"Hey, Tobacco boy,† I saw a guy like you once in the Bronx Zoo, behind bars,† Fernandex replied with a laugh. â€Å"Aw can it, you two,† shouted McGrath, â€Å"and tighten up the formation. Fernandez and Grayson pick it up back there.† â€Å"Aye, aye sir,† came the reply, in unison. The old freighter had been towed to this classified location in 1945, near the war's end, and for 60 years had, along with several other decommissioned vessels, been used to train young hot-shot pilots in the art of air war. â€Å"All right, in about 60 second we'll come up on the shoals bomb site, Nicholson and Fontaine, break right and take the first pass. Remember, nose guns first, then use one Sidewinder missile each the second time around,† McGrath ordered. The silver jets streaked through the cloud-filled blue sky like sharp knives slicing through warm biscuits. The two pilots took the lead and banked towards the abandoned and anchored old ship and locked onto the target with their computerized weapons guidance system. With today's technology they could hit a small object from a distance of a mile or more, but their state side training still required close target approaches. The planes would come within 500 yards of the target on the first pass. The three other pilots kept a distance to watch the show and wait their turn, as determined by their flight leader, Lieutenant McGrath. Nicholson and Fontaine took turns firing their 30 Millimeter, seven barrel nose guns at the old tub, blasting holes in the rusting hull at apace of 3900 rounds a minute, which exploded with a fury of sparks, smoke and flying debris as they roared past â€Å"Nice work guys,† McGrath said. â€Å"Commander Taylor, my fuel is low, and my instruments are still acting up, maybe we should be heading West† crackled across his headphones in response. â€Å"Come back,† McGrath replied. Is that you Fernandez. Stop the bullshit, will ya.† â€Å"Not me, Lieutenant,† Fernandez replied, â€Å"Don't expect me to give you a promotion,† he laughed. â€Å"Cut it out,† McGrath said, as he scanned the skies around him, â€Å"are one of you guys having instrument problems?† â€Å"Everyone check in,† he commanded. â€Å"Nicholson here, I'm fine Lieutenant.† â€Å"This is Fontaine, Jimmy, no problems with my bird.† â€Å"This is Grayson, sir, it wasn't me.† â€Å"Well who the hell is playing around.† McGrath shouted. â€Å"I can't see any land, sir† came the voice again. This time someone else responded. â€Å"Boys, this is Taylor, don't worry, we left the Georgia swamp area 30 miles back, and we should be coming up on the Keys shortly,† â€Å"Who's on this frequency, identify yourselves, † Lt. McGrath said into his helmet mic. He scanned his instrument radar panel and again looked outside his cockpit canopy but did not see any other planes in the bright, clear, mid-day sky. Without answering McGrath, the unknown chatter continued. â€Å"Hey Brownie, if we ever find our way back, I'm gonna propose to that nurse I met last week at the USO Holiday dance.† â€Å"Yeah, yeah sure, the one whose feet you kept stepping on during the Glen Miller piece?† â€Å"Shiiit, Glenn Miller, what the fuck is that all about,† Fontaine said. â€Å"Hey, one of you guys playing some sort of trick on our boy Jimmy,† Fernandez laughed. â€Å"Yeah, one of those old radio shows, or some shit like that,† Fontaine replied. â€Å"I don't know about you but it's freaking me out,† said Grayson. â€Å"Anyway, whoever it is mentioned Lauderdale, so it's probably some old Navy guys out for a joyride. I see those guys come out on Sunday's sometimes and fly around in those old radial engine trainers.† â€Å"Yeah, but it ain't Sunday, and what they all doin' on our radio frequency,† drawled Nicholson. â€Å"All right, all right, forget about it. It's probably just somebody playing around,† bellowed McGrath, â€Å"lets get ready for the second run. One missile this time.† Fontaine and Grayson broke away from the formation again and headed toward the target This time they programmed their guidance system to fire one AIM-9 Sidewinder missile each at a distance of a half mile. Within seconds each jet shimmied slightly as their missiles dislodged from under their wings and moved off in an arc of white smoke toward the old half-sunken freighter. The missile warheads were loaded with only small amounts of explosives so that they would create damage but not completely obliterate the boat, leaving it sufficiently intact for further training runs. The two missiles struck, on forward one aft, almost simultaneously, and a column of smoke, debris, and sea water rose high into the air. As the mix fell back again, the pilots who were all observing the action noticed small black objects off in the distance, beyond the target area, moving slowly toward them. â€Å"What the fuck is that,† sad Fernandez into his mic. Grayson and Fontaine, who had pulled up and over the target, getting a birds-eye view of the damage they caused, rolled across the sky, unknowingly hurtling their jets directly in the path of the shadowy, black objects. Some three miles away, the rest of the squadron watched as Fontaine and Grayson blew past the objects and then banked and ascended up and to the left. As they had flown by, in the seconds they were adjacent to the objects, both pilots had seen something that had startled them. Grayson and Fontaine had peered into the cockpits of a squadron of World War 2 naval fighters, â€Å"Avengers†, each operated by a two or three man crew, a pilot facing forward, sometimes with a co-pilot, and a gunner operating a ball turret weapon aft. â€Å"Shiiit,† Fontaine yelled into his helmet mic, â€Å"did you see that Grayson.† â€Å"What the hell are those old warbirds doing way out here, the air museum operates outta Pensacola,† Grayson replied. â€Å"Hell if I know,† Fontaine said, â€Å"but they were sure as shittin surprised by us.† â€Å"Damn lucky we didn't clip their wings.† â€Å"Hey skip,† Fontaine said, calling out to Lieutenant McGrath, † you won't believe what's headed your way.† â€Å"I see 'em, Fontaine, we're gonna give those old buckets some room so we don't blow their tails off with our engines,† McGrath replied. The remaining jets elevated their flight path to avoid the oncoming relics of the past, shooting with Mach speed into the lower stratosphere. â€Å"Commander, did you see that?,† said one of the warbird pilots. â€Å"I sure did, Tex,† replied Taylor, I don't know what the hell it was but I saw a red, white and blue star on it's side so it must be ours.† â€Å"Hell yes,† Tex's gunner cried, â€Å"we must be close to the Shoals now. I see the target ship they towed out this way a few weeks ago.† â€Å"I bet that was some experimental jet the Nazis were using, I saw a few being worked on at the base. Just come over from Germany last week for testing,† said one of the Avenger pilots. OK, men, settle down† Commander Taylor ordered, â€Å"set a course for the direction of the target vessels and let's get these tired birds home.† â€Å"Hey, my instruments are working again, Commander,† said one of the pilots. â€Å"Mine too, Chuck,† cried another. â€Å"Looks like we'll make it back after all,† the Avenger flight leader said, â€Å"and not a moment too soon with these near empty gas gauges. Keep a tight formation as we head in boys. Follow my lead. Last one on the deck has to kiss Charlie McCarthy's bald head.† The jet pilots listened, without a word, to the entire conversation going on below them. Fontaine and Grayson had rejoined the group and they were all now headed due East at 400 miles an hour at an elevation of 25,000 feet. Finally, Fernandez spoke up. â€Å"You catch that, Lieutenant.† â€Å"†Probably some re-enactors,† Lt. McGrath replied, although his voice had lost its usual firm, confident tone. â€Å"What the hell they doin' out here, Jimmy,† said Nicholson, â€Å"don't make no sense at all.† McGrath had to agree. This area was restricted to Naval air traffic. He thought he better contact the base and let them know what was going on. â€Å"Flight leader Bravo calling Lauderdale, come in Lauderdale.† The air was quiet. â€Å"Flight leader Bravo calling Lauderdale, come in Lauderdale† Nothing. â€Å"Hey Jimmy,† Fontaine said, â€Å"my computer just went down.† â€Å"Hey me too,† Nicholson shouted. The five jets flew in tight formation through the clouds as chaos erupted in their cockpits. â€Å"Flight leader Chuck Taylor calling Lauderdale, come in Lauderdale.† â€Å"This is Lauderdale, where the heck you guys been?† came the reply. The Base Commander's been going crazy. They even called the War Department.† â€Å"You guys can tell the patrols to come back, we're a little late but we're home, † replied Commander Taylor. On the stormy evening of December 5, 1945, five TBM Avengers, their heavy radial engines roaring across the Florida sky, approached US Naval Air Station in tight formation. One by one the gleaming blue fighter planes lowered their flaps, cut off their throttles and eased their tired metal frames onto the tarmac. As they rolled off the runway, they passed rows of B-17 bombers, fresh from the battle over Europe, being serviced and refit for duty in the Pacific against the Japanese. Worried ground crews raced in gray jeeps toward each plane, dropping heavy wooden blocks under the wheels, and climbing up on the wings to draw back the heavy canopies to release the human cargo. The fourteen crew members scrambled to the airfield grounds and embraced one another, removing their yellow Mae West vests and crush caps, giving thanks that what was lost was once again found. Meanwhile, miles away, five jet fighters crossed the sky into an ethereal graveyard. They hurtled at supersonic speed into an endless vortex of space and time without up or down, without time or space, without any connection to the world they left behind. At NORAD, desperate computer messages flooded the communications room alerting the men and women who worked there of a crisis in the making. An Admiral rushed into the room in time to confront a telecommunications staffer who was the most recent recipient of the tragic news. â€Å"Sir,† the young ensign said to the astonished man,† Flight 19 is missing.† â€Å"Get me Rumsfeld,† the Admiral replied. Two wars, 6 decades apart. Two tragedies, dance partners in a macabre story with ironic parallels. The past and the future, melded together, and separated, one mystery solved, another one just beginning.

Leadership, Decision Making And Organizational Success Essay

1. Introduction There are a number of fundamental elements that construct a smooth flowing, harmonious, and successful organization. The problems and questions this research will explore are based on leadership, decision-making, and structure as well as its effects on organizational well-being in terms of effectiveness, efficiency, and equity. This research paper will examine and explore a number of leadership styles, including autocratic, bureaucratic, democratic, charismatic, situational, transactional, and transformational in regards to organizational success. A leader’s approach has the ability to influence the productivity and efficiency, ultimately affecting the organization as a whole: therefore, it is important for the leader to be able to make decisions, communicate, and quickly diminish problems. It is also beneficial for leaders to display ambitions, motivation, build relationships, and evolve. Additionally, partners (or employees) are also an essential component of organizational goals and mission. Selecting the right individuals for a job or team is another crucial element to organizational success: so long as measures and incentives are aligned accordingly. Partners of an organization need to feel involved and driven so that they are inspired to communicate their opinion. Alternatively, partners who are committed are highly productive, ultimately leading to goals being met and profitability. In addition to suitable partners (employees), it is also essential toShow MoreRelatedLeadership Style And Its Impact On The Employees Work Life Balance And Company Production1105 Words   |  5 Pages They contrasted it with employee-centered leadership style which corresponds with transformational leadership style rather than transactional style (Lee, 1999). Authoritarian Leadership â€Å"Authoritarian leadership represents absolute power of a leader over the followers† (MindTools.com). Authoritarian leaders are seen as experts in the organization and, therefore, take the responsibility of identifying organizational goals and a strategic path to success. They provide the followers with clear expectationsRead MoreLeadership Styles Of A Fast Food Shop Essay1601 Words   |  7 Pagesof the different leadership styles adopted by leaders in organizations, and further determines whether the styles identified are effective or ineffective in terms of realizing failure or success for the organization. In essence, effective leadership should establish and retain belief, mission and vision commutation in the workplace in order to realize optimal performance and subsequent organizational success from the workforce. thus, the paper assumes that an effective leadership style will be notedRead MoreParticipative Leadership : Strengths And Weaknesses Essay1321 Words    |  6 PagesParticipative Leadership: Strengths and Weaknesses The simple act of making decisions is an essential task leaders must perform effectively to succeed. Behavioral theories of leadership focus on how leaders approach a situation and whether they dictate orders or involve others to encourage support. Research into decision-making behavior has identified three broad categories of leaders: autocratic, democratic, and laissez-faire. This paper will focus on these behavioral theories of leadership, primarilyRead MoreParticipative Leadership1582 Words   |  7 PagesParticipative Leadership: Strengths and Weaknesses The simple act of making decisions is an essential task leaders must perform effectively to succeed. Behavioral theories of leadership focus on how leaders approach a situation and whether they dictate orders or involve others to encourage support. Research into decision-making behavior has identified three broad categories of leaders: autocratic, democratic, and laissez-faire (Changing Minds, 2011). This paper will focus on these behavioral theoriesRead MoreThe Emotional Intelligence Test, Decision Making1270 Words   |  6 PagesLeadership style is significant in creating organizational success and being an effective leader. 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